Half Blood Blues by Esi Edugyan
Publisher: Serpent’s Tail
Selected edition: Paperback
ISBN: 9781846687761
Published: 02.02.2012
No of pages: 352
Price: £7.99
SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION 2012
SHORTLISTED FOR THE MAN BOOKER PRIZE 2011
Esi Edugyan’s Half Blood Blues brings to life the jazz scene of the late 30s and early 40s in Berlin. I have been wanting to read the Orange Prize shortlisted (and Man Booker shortlisted in 2011) novel for a while, not just because of the great reviews it has received, but also out of curiosity, to see if I felt the book lived up to such acclaim.
The concept was one that I hadn’t met before: in Nazi-occupied Paris, a young, black, German trumpet player named Hieronymus Falk is arrested and disappears, leaving the jazz world mourning the loss of a talent equal to Louis Armstrong. In the 1990s, two of his former band mates (Americans from Baltimore) make their way back to Berlin for the Hieronymus Falk Festival, with protagonist Sid Griffiths reflecting on the past and the guilt and secrets that surround their time in Berlin and Paris, and the arrest of Hieronymus.
It took me a while to get into Half Blood Blues. The novel begins in Paris, 1940, when Hieronymus (or Hiero as he is called by Sid) is arrested, and I found it a bit confusing, trying to work out who the characters were, their relationships, which one was “the kid” and how they had come to be in Paris at the time. The voice of Sid Griffiths (whose name kept reminding me of the rather different Sid Vicious!) is evocative, clear and it took me a bit of time to fall into step with it. When I did though, I found the characters to be vivid and gripping, each one interesting in a different way. There is a lively dynamic between the band mates, and although at times their banter can be cruel, the care they have for each other is touchingly apparent.
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